(1610, Prague - July 30, 1674, Prague) was a Czech Baroque painter. Karel learnt painting perhaps from one of the masters at the royal courtyard. He studied in Saxony and in Italy. According to Houbraken he painted portraits and lived together with the respected watercolor painter Willem Bouwer in Rome. He became a member of the Bentvueghels with the nickname Slagzwaart or Slach-sweerd.According to the RKD he was the teacher of the Prague painter Johann Georg Heinsch (1640-1713). Since 1638 he lived in Prague, where he worked on altarpieces for many churches, for example St. Thomas, St. Stephen or the Church of Our Lady in front of Týn.   Related Paintings of Karel skreta :. | Our Lady of the Assumption with Sts Miniato and Julian | A Table of Desserts g | Self-Portrait | The Third Class Carriage | Tulpen in einer Vase |
Related Artists:
Antonio Viladomat y Manalt
Spanish, 1678-1755,Spanish Catalan painter. He was the most significant figure in Catalan painting from the end of the 17th century to the first half of the 18th. He trained with P. B. Savall and J. B. Perram?n in Barcelona. The arrival of the Archduke Charles (later Charles VI) of Austria in Barcelona in 1703 as a pretender to the throne during the War of the Spanish Succession (1702-13), accompanied by such Italian artists as Ferdinando Galli-Bibiena, acquainted Viladomat y Manalt with artistic trends in Italy. He experienced problems with the artists' guild in Barcelona because of his refusal to participate in the traditional work system. Despite this, his workshop-academy became a centre for the training of numerous painters, sculptors and engravers. Viladomat y Manalt was principally a religious painter, and his oil paintings include Christ Appearing to St Ignatius of Loyola (c. 1711-20; Barcelona, Jesuit Convent) and St Augustine and the Holy Family (Madrid, Prado). He also painted such murals as the tempera Angels with the Sudarium (c. 1727; Matare, S Mar?a, Capilla de los Dolores), but most of the others have disappeared. He painted an extensive series of monastic and evangelical works, in which his revival of compositions characteristic of the Spanish Golden Age is apparent. Examples include the Stigmatization of St Francis (c. 1724; Barcelona, Mus. A. Catalunya), part of a cycle of paintings on the life of St Francis commissioned for the cloister of the convent of S Francisco de As?s in Barcelona. His late Baroque style is related to the severe and realistic trend in Spanish painting in the early 17th century. Some interesting profane allegories by the artist are extant, notably the series Four Seasons (c. 1720-30; Barcelona, Mus. A. Catalunya), which consists of landscapes with genre scenes. Several of the still-lifes by Viladomat y Manalt such as the realistic Still-life with Dead Turkey (Barcelona, Mus. A. Catalunya), which has strong contrasts of light, bear an affinity with Neapolitan painting of the last decades of the 17th century.
johan hammar

PALAMEDESZ, Antonie
Dutch Baroque Era Painter, 1601-1673